Faces of Man: A Collection: WP Set Four

Photographers Unknown, Faces of Man: A Collection: WP Set Four

“Women do not simply have faces, as men do; they are identified with their faces. Men have a naturalistic relation to their faces. Certainly they care whether they are good-looking or not. They suffer over acne, protruding ears, tiny eyes; they hate getting bald. But there is a much wider latitude in what is esthetically acceptable in a man’s face than what is in a woman’s. A man’s face is defined as something he basically doesn’t need to tamper with; all he has to do is keep it clean. He can avail himself of the options for ornament supplied by nature: a beard, a mustache, longer or shorter hair. But he is not supposed to disguise himself. What he is “really” like is supposed to show. A man lives through his face; it records the progressive stages of his life. And since he doesn’t tamper with his face, it is not separate from but is completed by his body – which is judged attractive by the impression it gives of virility and energy.”
Susan Sontag

 

Faces of Man

Faces of Man: WP Photo Set Three

“When drawing a face, any face, it is as if a curtain after curtain, mask after mask, falls away.. until a final mask remains, one that can no longer be removed, reduced. By the time the drawing is finished, I know a great deal about that face, for no face can hide itself for long. But although nothing escapes the eye, all is forgiven beforehand. The eye does not judge, moralize, criticize. It accepts the masks in gratitude as it does the long bamboos being long, the goldenrod being being yellow.”
Frederick Franck, The Zen of Seeing

The Faces of Man and Wolfe

 

 

The Faces of Man: WP Set Two

“A person has all sorts of lags built into him Kesey is saying. Once the most basic is the sensory lag, the lag between the time your senses receive something and you are able to react. One-thirtieth of a second is the time it takes if you are the most alert person alive and most people are a lot slower than that…. You can’t go any faster than that… We are all doomed to spend the rest of our lives watching a movies of our lives – we are always acting on what has just finished happening. It happened at least 1 30th of a second ago. We think we are in the present but we aren’t. The present we know is only a movies of the past and we will really never be able to control the present through ordinary means.”
Tom Wolfe, The Electrid Kool-Aid Acid Test, 1968

 

The Faces of Man

Faces of Man: WP Photo Set One

“A fleeting moment can become an eternity. From a past encounter everything may disappear in the dungeon of forgetfulness. A few furtive flashes or innocent twinkles can survive, though. Some immaterial details may remain marked in our memory, forever. A significant look, a salient colour or a unforeseen gesture may abide, indelibly engraved in our mind.”
Erik Pevernagie

 

The Faces of Man

The Faces of Man: Photo Set Twenty Four

“He no longer saw the face of his friend Siddhartha, instead he saw other faces, many, a long sequence, a flowing river of faces, of hundreds, of thousands, which all came and disappeared, and yet all seemed to be there simultaneously, which all constantly changed and renewed themselves, and which were still all Siddhartha.”                                                                                                            -Hermann Hesse, Siddhartha

The Faces of Man

The Faces of Man: Photo Set Thirteen

“… all his faces were designed to express rage or loathing. Now that something had happened which really deserved a face, he had none to celebrate it with. As a kind of token, he made his Sex Life in Ancient Rome face.”
― Kingsley Amis, Lucky Jim

“After seeing it on the street, I was afraid I had only imagined it: a still, luminous face with a silvery sheen. Finely hewn, with a long, straight nose and a wide mouth, it was nearly identical to another face, which I had photographed years before. Not on a person, bu on the fragment of a frieze I found in some ruins near Verona, The frieze, which depicted a band of musicians, had once been shadowed beneath a cornice high on the temple of Mercury, god of magic. Belonging to one of the musicians, it was a riveting face – like a puzzle that could not be solved.”― Nicholas Christopher

The Faces of Man

The Faces of Man: Photo Set Eight

“Let us not, in the pride of our superior knowledge, turn with contempt from the follies of our predecessors. The study of the errors into which great minds have fallen in the pursuit of truth can never be uninstructive. As the man looks back to the days of his childhood and his youth, and recalls to his mind the strange notions and false opinions that swayed his actions at the time, that he may wonder at them; so should society, for its edification, look back to the opinions which governed ages that fled.”
Charles MacKay, Extraordinary Popular Delusions and the Madness of Crowds