Takahiro Kimura

Takahiro Kimura, Titles Unknown, 2000, Mixed Media (Paint and Collage) on Canvas

Japanese artist and illustrator Takahiro Kimura was born in Tokyo in 1965. He studied painting and graphic design at Salesian Polytechnic; later he studied drawing, landscape painting and fashion design at Setsu Mode Seminar. Kimura has done illustrations for advertisements and books, experimenting at the same time with collages, combining photos fragments with paint. 

Takahiro Kimura’s particular interest is in the human face. By arranging different parts of cut photos of faces into collages and applying paint, he attempts to expose the human spirit through a distortion process. Kimura has recently produced several collage animations, as well as a short film and an art book entitled “Risky Dolls”.

Several of his animation films can be found on Vimeo : https://vimeo.com/faceful

 

F. Scott Hess

F. Scott Hess, Unknown Title, Oil on Canvas, (Catch of the Day)

Born in Baltimore, longtime Los Angeles artist F. Scott Hess attended the Academy of Fine Arts in Vienna, Austria, and Lawrence University in Appleton, Wisconsin, earning a BSA from the University of Wisconsin in 1977. In 1979, Hess moved to Vienna, Austria, where he studied for five years with the Austrian painter Rudolf Hausner, who has been credited as the first psychoanalytical painter. Through his artistic teaching experience in Vienna, Hess gained greater exposure to techniques of old master style painting, which profoundly influenced his work.

F. Scott Hess  has been described as a “New Old Master”. His narrative portraiture blends realistic scenes of everyday life with symbolic and allegorical events, humor, eroticism, and voyeurism. He begins with drawings and careful diagramming on his canvases before adding traditional oil paint or egg tempera. Hess’s works are defined by his strong brushwork, careful attention to the luminosity of flesh, and ability to capture ethereal light.

Saturnino Herrán Guinchard

Saturnino Herrán Guinchard, “Our Ancient Gods”, 1916, Oil on Canvas, Collection of Andrés Blaisten

Saturnino Herrán Guinchard, a Mexican painter, began studying drawing and painting with José Inés Tovilla and Severo Amador. He later studied with teachers Julio Ruelas, Fabrés Antonio Catalan, Leandro Izaguirre and Germán Gedovious.

Guinchard’s work is mainly inspired by pre-Columbian Mexico with its folk customsand the lifestyles of its people. His figures have been associated with the traditions of Spanish art, particularly Catalan Modernism, along with the work of Velázquez and José de Rivera. The works of Saturnino Herran includes the paintings: “Labor and Work”, “Mill and Marketers”, and “Legend of the Volcanos”. Guinchard also painted the “Creole” Series and the triptych “Our Ancient Gods”, which includes the image above.

Mel Oden

The Artwork of Mel Odom

Mel Odom majored in illustration at Virginia commonwealth University and then attended Leeds Polytechnic Institute of Art and Design in England, He moved to New York City in 1975.

His artwork with its Art Deco style established him as a commercial artist initially with erotic illustrations for magazines such as “Blueboy, “Viva”, and Pllayboy”. During the 1980s, Odom’s work covered a wide range of commercial media: record and book covers, Illustrations for the sci-fi magazine “Omni”, and a front cover for one of the 1989 “Time Magazine”.

Thutmose III

Statue of Thutmose III (Birthname: Menkheperre), Karnak Cachette, Luxor Museum, Egypt

This statue of Thutmose III, carved from greywacke, a dark coarse-grained sandstone, was found in the Karnak cachette in 1904. His reign was from 1479 to 1425 BC in which he extended the reach of the Egyptian empire during his foreign military campaigns.

Reblogged with many thanks to http://bandit1a.tumblr.com

Marco Antonio Prestinari

Marco Antonio Prestinari, “Hercules and the Nemean Lion”, Date Unknown, Terracotta, Height 52 cm.

Marco Antonio Prestinari was born in Claino, a village in the Valsolda close to Porlezza, His first recorded works for the garden and nymphaeum of Pirro Visconti’s villa at Lainate, near Milan, are the marble statues of the “Nymph” in the centre of the large grotto in the nymphaeum,, and the “Adonis” originally in the same nymphaeum, but now located in the Louvre Museum. These statues can in all likelihood be dated to the mid 1590s.

The terracotta “Hercules and the Nemean Lion” is a preparatory model for a monumental sculpture in ceppo stone of the “Teatro d’Ercole” of the garden of Villa Arconati at Castellazzo di Bollate, near Milan.

Reblogged with thanks to http://bloghqualls.tumblr.com

Simeon Solomon

Simeon Solomon,  Frontispiece to His Book ‘”A Vision of Love Revealed in Sleep”’, 1871

Solomon’s “A Vision of Love Revealed in Sleep” is an important early gay text, a prose poem,which was privately published in 1871. The image above is captioned “Until the day break and the shadows flee away”, a quotation from the Bible in the Song of Solomon 2:17.

The performance by Neil Bartlett, entitled “A Vision of Love Revealed in Sleep”, was an one-man homage to the life and work of Pre-Raphaelite painter Simeon Solomon. The performance was originally created and performed at the height of the first wave of the British AIDs epidemic in 1987.

Calendar

A Year: Day to Day Men: 2nd of October, Solar Year 2018

Hold and Ride

October 2, 1890 marks the birthdate of actor and comedian Groucho Marx.

Groucho Marx, born Julius Henry Marx, was born in New York City. His father Samuel never had much success as a tailor, and the family struggled financially. His mother Minnie became a stage mother, guiding her children’s theatrical acts and even performing herself. The act eventually featured Groucho and his brothers Leonard, Adolph, and Milton.

Groucho Marx received his colorful nickname based on his personality from vaudeville performer Art Fisher, who also gave the brothers stage names: Leonard became ‘Chico’, Adolph became ‘Harpo’, and Milton became ‘Gummo’. Milton Marx left the act to fight in World War II and was replaced by the youngest brother Herbert, who became known as ‘Zeppo’.

By the 1920s, the Marx Brothers had become a hugely popular theatrical act. During this time, Groucho developed some of his famous trademarks; the long coat, the painted-on mustache, thick glasses, and the thick cigar. Groucho explained that the props were useful also: “if you forget a line, all you have to do is stick the cigar in your mouth and puff on it until you think of what you’ve forgotten”.

The Marx Brothers had a string of Broadway hits, starting with the 1924 “I’ll Say She Is”, which Groucho helped write. The following year, they returned to the stage with “The Cocoanuts”, a spoof on land speculation in Florida. The Marx Brothers hit it big again in 1928 with “Animal Crackers.”  Working with producer Irving Thalberg, the Marx Brothers created one of their most popular movies “A Night at the Opera”, released in 1935.

Even before the Marx Brothers split up, Groucho Marx had been exploring other career opportunities. He wrote the 1930 humorous book “Beds”, and followed it up in 1942 with “Many Happy Returns”, his comic attack on taxes. On the radio, Groucho worked on several programs before landing a hit in 1947 with “You Bet Your Life”. He hosted the quirky game show, which focused more on his quick wit than on contestants winning prizes.

Groucho Marx’s “You Bet Your Life” moved from radio to television in 1950, and Marx entertained America with his wisecracks for 11 years, also winning an Emmy in 1951. After that program ended in 1961, he appeared on “Tell It to Groucho”, a short-lived game show the following year. After the end of that game show, Grouch Marx retreated from the limelight, making only occasional appearances on television and film.

Groucho Marx died of pneumonia in a Los Angeles hospital on August 19, 1977. The New York Times article on his passing stated: “He developed the insult into an art form. And he used the insult, delivered with maniacal glee, to shatter the egos of the pompous and to plunge his audience into helpless laughter”.

Raoul Hausmann

Raoul Hausmann, “The Spirit of Our Time”, 1920, Assemblage with Wooden Head

Rauol Hausmann was an Austrian artist, a founder and a central figure in the Dada Movement in Berlin. He began his formal training at the atelier of Arthur Lewin-Funcke where he focused on anatomy and nude drawing. He later connected with the German Expressionist movement, studying woodcutting and lithography under Erich Heckel.

In 1917, Hausmann met Richard Hulsenbedk, who introduced him to the principles and philosophy of Dada, a new and visual art and literary movement. Dada artists and writers created provocative works that questioned capitalism and conformity, which they believed to be the fundamental motivations for the first World War which had just ended, leaving chaos and destruction throughout Europe.

‘Spirit of Our Time’ was a sculptural metaphor for the inability of the establishment to inspire the changes necessary to rebuild a better Germany. This sculpture illustrated Raoul Hausmann’s belief that the average supporter of what he considered to be a corrupt society had no more capabilities than those which chance had glued to the outside of his skull; his brain remained empty. With his eyes deliberately left blank, the ‘Spirit of Our Time’ was a blind automaton whose blinkered attitude excluded any possibility of creative thought.

Chung Ling Soo

Artist Unknown, “Chung Ling Soo”, 1908 Advertising Poster

This rare 1908 poster advertised a tour of the talented magician Chung Ling Soo. It is one of eight different known posters of the magician’s tours.

Born William Ellsworth Robinson in Westchester County, New York in 1861,Chung Ling Soo was a behind-the-scenes designer of magic tricks for headliners Harry Keller and Alexander Herrmann before he struck out on his own. Around 1900, while in Europe, he adopted the Chung Ling Soo persona.

Robinson went to great lengths to preserve the illusion, limiting his speech on stage to the occasional bit of broken English and relying on an interpreter to talk to journalists. Robinson in his persona of Chung Ling Soo performed a bullet catch trick at a show in London, England in 1918; it was one of the big theatrical showpieces of his performances. Instead of catching the bullet on a plate, the bullet hit his chest. Robinson died a few days later at the age of 56.