Pierre Emō

Pierre Emō: Scenes from Vann Gonzales’s “Un Couteau dans ke Coeur (Knife + Heart)”

French model and actor Pierre Emō first came to the attention of audiences in Germany and France with his appearances in the 2013 film “Only the Fire” by  director and cinematographer Christophe Pellet and the 2014 film “While the Unicorn is Watching Me”, by director Shanti Masud, known for her 2013 “Pour la France”. Emō’s first appearance in a film by director Noel Alejandro was the short award-winning LBGT film “Call Me a Ghost” shown at the 2017 Chéries-Chéris film festival in Paris.

At the age of twenty-four in early 2017, Pierre Emō had already  appeared in five movies, He next co-starred with French actress and singer  Venessa Paradis and actor Félix Maritaud in director Vann Gonzales’s 2018 LBGT murder mystery thriller “Un Couteau dans le Coeur (Knife + Heart)”, which premiered at the 2018 Cannes Film Festival. 

In 2018, Emō appeared in several films including “Lemon Taste” by Nicky Miller and “Les Fantômes”, a horror thriller directed by Alexandre Vallès. Director Noel Alejandro again cast Emō in two more of his films, the 2018 “The Seed”, a short erotic art film, and the short 2018 drama film “The End”. Emō appeared in a small role for Latvian director Rosa von Praunheim’s 2019 crime thriller “Darkroom”, which was based on a true story and filmed in Germany. 

Pierre Emō lives and works in both Paris and Berlin. On stage, he has played small parts with the prestigious Berliner Ensemble, a German theater company established in 1949 by actress Helene Weigel and playwright Bertoit Brecht.

The photo Images and gifs are from “Un Couteau dans le Coeur” by director Vann Gonzales. The film was shot on 35mm under the direction of cinematographer Simon Beaufils, who oversaturated some scenes in shades of blue and red. The soundtrack features the Gallic band M83.

The images and gifs were reblogged with many thanks to: https://doctordee.tumblr.com

Greeks Come True

tumblr_pjy2r8aChE1qzjwylo2_r1_540tumblr_pjy2r8aChE1qzjwylo1_r1_540

Konstantinos Rigas by Vangelis Kyris, “Greeks Come True”, 2019

“Greeks Come True” is a movie filmed by Vangelis Kyris in conjunction with a photo shooting for the Greeks Come True annual print calendar which is available every December. Filmed entirely on a Greek mountain farm, the eighty minute film follows the fifteen men and athletes involved in the calendar shoot. The film’s multi-genre sooundtrack features some of Greece’s promising musical artists.

Kôichi Imaizumi, “Berlin Drifters”

Kôichi Imaizumi, “Berlin Drifters”, Trailer, 2017, Habakari Cinema Research, Jurgen Bruning Filmproduction

Pinku eiga star and intense adult director Kôichi Imaizumi teamed with Japan’s prominent adult manga author for the film “Berlin Drifters”. A low-budget, all-hands-on-deck affair, “Berlin Drifters “ unites a who’s who of Asian and European eroticists, from Dutch porn star Michael Selvaggio and German self-described erotic photographer Claude Kolz to Chinese LGBT activist and dramatist Xiaogang Wei. Most notable, however, could be the participation of Japanese gay erotica artist Gengoroh Tagame, most easily described as Japan’s Tom of Finland.

Imaizumi is perhaps best known as a pinku eiga actor — the soft-core Japanese mini-features, celebrated in last year’s Nikkastu Roman Porno Series and which have given some of the country’s most prominent filmmakers their starts. As a director, Imaizumi dabbled with graphic sex in both “The Secret to My Silky Skin”, starring Majima, and the troubling sci-fi rape comedy “The Family Complete”.

Imaizumi’s hallmarks of sexuality and masculinity are present in “Berlin Drifters”,  but also the insights regarding acceptance and the stigmas surrounding homosexuality in Japan. “Berlin Drifters” was shown at the Hong Kong Lesbian and Gay Film Festival. Sales of the film are through Habakari Cinema Research.

“Sebastiane”

“Sebastiane”, 1976, Directed by Derek Jarman and Paul Humfress

Sebastiane” is a 1976 Latin-language British historical thriller directed by Derek Jarman and Paul Humfress. The screenplay, written by Jarman, Humfress, and James Whaley, portrays events in the life of Saint Sebastian, including his martyrdom by arrows. The film, which was targeted to a gay audience, was controversial for the homoerotism portrayed and for being dialogued entirely in vulgar Latin. It was the only English-made film to have required English subtitles.

Intensely erotic, “Sebastiane” was filmed in Sardinia, near the town of Buggerru, and in locations in Italy. The film is an early film by the noted experimental and outspokenly gay director Jarman and features the debut of actor Leonardo Treviglio in his role of Sebastian. A bold film having the distinction of being the first non-porn film to show a male erection, “Sebastiane” now is probably only for the film aficionado who loves film- making and its history. A milestone in the history of non-porn gay films.

Morning Run

The End of the Morning Run

“Every morning in Africa, a gazelle wakes up, it knows it must outrun the fastest lion or it will be killed. Every morning in Africa, a lion wakes up. It knows it must run faster than the slowest gazelle, or it will starve. It doesn’t matter whether you’re the lion or a gazelle-when the sun comes up, you’d better be running.”
Christopher McDougall, Born to Run: A Hidden Tribe, Superathletes, and the Greatest Race the World Has Never Seen 

 

Fox and His Friends

Gif from “Fox and His Friends”

“Fox and His Friends” is a 1975 West German film written and directed by Rainer Eerner Fassbinder, starring Fassbinder, Peter Chatel and Karlheinz Bohm. The plot follows the misadventures of a working-class homosexual man who wins the lottery, then falls in love with the elegant son of an industrialist.

Reblogged with thanks to http://gift-wrapped.tumblr.com

Nicolas Maxim Endicher, “M/M”

Nicolas Maxim Endlicher, “M/M”, 2018, Directed by Drew Lint

This Canadian- German drama film stars antoine Lahale as Matthew, a Canadian recently relocated to Berlin, who meets and becomes obsessed with Mathias, played by Nicolas Maxim Endlicher. When Mathias is in a coma from a motorcycle accident, Matthew assumes Mathias’ identity.

The cinematography was by Ann Tipper. TLA Releasing, whose primary output is LGBT-related films from around the world, is the distributor of the film. The film premiered at the 24th Slamdance Film Festival in January of 2018 in Park City, Utah.

Reblogged with thanks to http://arizona-massachusett.tumblr.com

The Field: Congratulations to the Victor

Photographer Unknown, (Congratulations to the Victor), Computer Graphics

“Somewhere in the world there is a defeat for everyone. Some are destroyed by defeat, and some made small and mean by victory. Greatness lives in one who triumphs equally over defeat and victory.”
John Steinbeck, The Acts of King Arthur and His Noble Knights 

God’s Own Country

“God’s Own Country”, Directed by Frances Lee, 2017, Computer Graphics, Gay Film Gifs

“God’s Own Country” is a 2017 British drama film written and directed by Francis Lee in his feature directorial debut. The film stars Josh O’Conner and Alec Secăreanu.. The plot follows a young sheep farmer in Yorkshire, England, whose life is transformed by a Romanian migrant worker. The film was the only UK-based production to feature in the world drama category at the 2017 Sundance Film Festival, where it won the world cinema directing award. It was released in the United Kingdom on the 1st of September 2017.

“God’s Own Country” was banned in some Arab countries due to explicit sex scenes between the two main actors. Romania was the only country in Easter European where the film was screened. The film won the Harvey Award at the 2017 Berlin International Film Festival, presented by the Teddy Awads program for LGBT-related films.

David Velduque, “No Place Like Home”

David Velduque, “No Place Like Home”, A Film for LGBTIQ Rights, World Pride 2017, Produced by NEURADS

“No Place Like Home”, starring Marius Praniauskas, is the story of Niko, a guy who enjoys his life and his sexuality at it’s full potential. Suddenly he will have to go back home to his country in eastern Europe to take care of his ill mother. Nothing is what it seems and soon he will realize what is really going on. A breathtaking roadtrip about the discrimination and violence against the LGTBIQ community around the world.

David Velduque was born on January 28, 1984 in Madrid, Spain. He is an actor and director, known for “No Place Like Home” (2017), “Por un Beso”(2016) and “Crudo”(2017).

London Spy

Artist Unknown, (Ben Whishaw and Edward Holcroft), “London Spy”, Computer Graphics, Gay Film Gifs

“London Spy” is a British-American five part television series created and written by Tom Rob Smith that aired on BBC Two from November 9 until December 7 in 2015. It was also aired on Netflix in 2018.

The series begins as the story of two young men: Danny (Ben Whishaw)—gregarious, hedonistic, and romantic—falls in love with Alex (Edward Holcroft)—asocial, enigmatic, and brilliant. Just as they discover how perfect they are for each other, Alex disappears. Danny finds Alex’s body. They lived very different lives: Danny is from a world of clubbing and youthful excess; Alex, it turns out, worked for the Secret Intelligence service.  Although utterly ill-equipped to take on the world of espionage, Danny decides to fight for the truth about Alex’s death.

Ben Whishaw played Daniel “Danny” Edward Holt; Edward Holcroft played Alistair “Alex” Turner

 

Leo Herrera, “3 Eras of Gay Sex in 3 Mins”

 

Leo Herrera, “3 Eras of Gay Sex in 3 Mins”

An Original Three-minute Film by Leo Herrera Visually Spans The History of Homosensual Communication from Pre-Stonewall to Present Day

Leo Herrera is an San Francisco-based visual artist, filmmaker, writer and advocate with a focus on cataloging and presenting gay history. His new project is “FATHERS”, a sci-fi short web series that imagines AIDS never happened, and a generation lived. His 2015 short, “3 ERAS of GAY SEX in 3 Minutes” is an original piece illustrating 3 generations of gay sex in three-minutes, featuring Pre-Stonewall cruising; 1970’s/80’s Leather BDS&M; and Present Day App usage, filmed in NYC and San Francisco.

Instead of presenting gay history as sexless or focusing solely on AIDS, the film celebrates Gay Communication in its most sensual form, through the glances, codes and technological breakthroughs that have allowed gay sex and gay communities to flourish through generations of oppression.

Taking us on a time machine into archetypes of Gay Sex and the unspoken communication methods of these communities, “3 ERAS of GAY SEX in 3 Minutes” informs us and a wider audience, of the rich sexual history of the modern gay male; the symbolism and power of our once ‘secret’ encounters; and a glimpse into the infrastructure of deviant gay communities that are the foundations for the modern gay civil rights movement.

“The idea that as a culture we do have a past, present and future is something that is very, very powerful. We didn’t come out of nowhere, and we haven’t been standing around waiting to be “accepted”, and we aren’t this monolithic culture that will just be part of any “mainstream”, there are too many facets and subcultures. Who better to tell these stories than ourselves.”- Leo Herrera

 

Sebastian Castro, “Theban”

Sebastian Castro, “Theban”

The Sacred Band of Thebes (Hieròs Lókhos) was a troop of picked soldiers, consisting of 150 pairs of male lovers which formed the elite force of the Theban army in the 4th century BC. Its predominance began with its crucial role in the Battle of Leuctra in 371BC. It was annihilated by Philip II of Macedon in the Battle of Chaeronea in 338 BC.

According to Plutarch, the 300 hand-picked men were chosen by Gorgidas purely for ability and merit, regardless of social class. It was composed of 150 male couples, each pair consisting of an older erastês (ἐραστής, “lover”) and a younger erômenos (ἐρώμενος, “beloved”). Athenaeus of Naucratis also records the Sacred Band as being composed of “lovers and their favorites, thus indicating the dignity of the god Eros in that they embrace a glorious death in preference to a dishonorable and reprehensible life”; while Polyaenus describes the Sacred Band as being composed of men “devoted to each other by mutual obligations of love”.

The origin of the “sacred” appellation of the Sacred Band is unexplained by Dinarchus and other historians. But Plutarch claims that it was due to an exchange of sacred vows between lover and beloved at the shrine of Iolaus (one of the lovers of Hercules) at Thebes. He also tangentially mentions Plato’s characterization of the lover as a “friend inspired of God”.

After the success of his previous video, “Bubble” earlier this year, über-hot Manila-based popster Sebastian Castro is back with a new clip entitled “Theban”, skillfully directed by Ian Galsim, featuring a tribe of scantily-clad dancers but sans actor Enchong Dee. Openly gay, the Peruvian-Japanese artist stated that the Sacred Band of Thebes was an ancient Greek army composed entirely of gay men. “It was believed that if you fought next to the person you loved, you would fight much harder to keep them alive. This led the generals to have the lovers fight alongside one another in battle. I can’t think of anything more beautiful -beautiful and sexy… I love the idea of dragging my followers, or any LGBT for that matter, into this world where you are fighting with, fighting for and possibly dying for the one you love. The ultimate message : you belong. Two words gay kids don’t hear enough. Two words they don’t feel enough”, he said.

Bronski Beat, “Small-town Boy”

Bronski Beat, “Small-town Boy”

“Smalltown Boy” is a 1984 song by the British synthpop group Bronski Beat. It was released in June 1984, and appeared on the band’s debut album The Age of Consent, released in December 1984.

The song is a popular gay anthem and was a big commercial success, reaching number 3 in the band’s native UK. It was also a number one hit in the Netherlands and Belgium, and hit the top 10 in Australia, Canada, France, Ireland and Switzerland. The track reached number 48 in the US pop chart and was a number one US dance hit.

The song addresses key issues in 1980s LGBT culture. It addresses family rejection for being homosexual and homophobia in British society. It also deals with loneliness and bullying through societal and familial rejection.