Felix d’Eon

Illustrations by Felix d’Eon

Guadalajara-born artist Felix d’Eon is influenced by multiple historical art styles, including vintage American comics, Edwardian fashion, illustrations from children’s books, and the prints of Edo period Japan. Doing careful research in costumes, settings, and the style of a period, he gives his work, done on antique paper, the illusion of antiquity, D’Eon’s thoroughness and accuracy allows his illustration to appear taken from the pages of an art history textbook. 

D’Eon uses the vintage illustrative style, with its delicate romance and aesthetics, as a tool for narratives of both marginalized and historically oppressed gay communities. He employs this technique in his illustrations, both erotic and provocative, to challenge the modern-day stigmas, still present, around same-sex relationships. 

Ultimately, D’Eon’s illustrations read as an alternative history for the queer people he draws. None of his characters suffer from tragic endings or acts of injustice like they perhaps might have in the past or even present day. Instead, D’Eon recreates the world not as it was or is, but imagines the world as it can be. 

Felix d’Eon has produced a series of tarot card illustrations and is currently working on a series of astrological signs painted with queer subjects. Many of his illustrations can be found for purchase at the artist’s site at Society6:  https://society6.com/felixdeon

André Castiagne

André Castaigne, “The Killing of Cleitus by Alexander”, 1898-1899, Engraving, The Century Magazine

Jean Alexandre Michel André was a French artist, engraver and book illustrator. He became an important artist in the Golden Age of Illustration in the United States, producing paintings and literary illustrations in both France and America. As a youth, Castaigne read prodigiously and studied classic Greek, Latin, French, and German literature. At the École des Beaux-Arts, Paris, under Alexandre Cabanel and Jean-Léon Gérôme, he trained to become a painter in the Salon tradition. 

Castaigne’s interest in visually interpreting history led him to become an illustrator as well as a portrait painter. His first of many illustrations appeared in “The Century” magazine around 1891, followed by over 160 illustrations before the end of 1895. Castaigne created more than thirty-six engravings about Alexander the Great for the 1898 to 1899 twelve-part series of “The Century” magazine. 

André Castaigne’s engraving entitled “The Killing of Cleitus” shows the killing of Cleitus the Black, an officer of the Macedonian army led by Alexander the Great. At the Battle of the Granicus in 334 BC, Cleitus saved Alexander, who was under attack by the Persian commander Spithridates, by severing Spithridates’ hammer arm before he could strike the fatal blow. On the eve of the day he was to take possession of the Macedonian government, Alexander organized a banquet in the palace at Samarkand. During the drunken banquet, Cleitus, hearing he was to be posted in the steppes of Central Asia, uttered many grievances against Alexander and his royal legitimacy. This led to Alexander in anger throwing a javelin through Cleitus’ heart. In all four known texts of this story, it is shown that Alexander grieved for the death of Cleitus.

Sadao Hasegawa

Graphic Work by Sadao Hasegawa

Born in the Tōkai region of Japan, Sadao Hasegawa was a Japanese graphic artist known for creating homoerotic fetish art. His first solo exhibition, “Sadao Hasegawa’s Alchemism: Meditation for 1973” was held in Tokyo, Japan, and featured collages, sculptures, and oil paintings. In 1978 Hasegawa’s art was published for the first time in “Barazoku”, a monthly magazine for gay men. Later he would be published inthe magazines “Sabu”, “Samson” and Adon”.

Sadao Hasegawa cited japanese homoerotic artist Go Mishima and artist Tom of Finland as major influences on his work. Hasegawa’s early works reflected European styles,;but after regular trips to Bali and Thailand, his work put greater focus on Asian iconography and mythology. On November 20, 1999, Hasegawa died from suicide by hanging in aBangkok, Thailand, hotel. Ownership of his work was eventually granted to Gallery Naruyama in Tokyo, which holds the majority of Hasegawa’s colledted works.

Hasegawa’s artworks are noted for their extensive detail, elaborate fantasy settings, and  for elements of Japanese, Thai, Tibetan Buddhist, African and Indian art. While Hasegawa focused primarily on depictios of muscular male physique, he oftren incorporated extreme sexual themes and subject matter into his works.

Sadao Hasegawa is regarded as one of the most influential creators of homoerotic art in Japan. Very little of his work was publihed in Japan and only one work “Sadao Hasegawa: Paintings and Drawings”, a collection of his magazine work, was published internationally by the British publisher Gay Men’s Press in 1990.

 

 

Oscar Santasusagna

 

Oscar Santasusagna, “Un Poeta a la Deriva (A Drifting Poet),  2016, Mixed Media on Paper, 40 x 54 cm

Oscar Santasusagna is an artist living and working in Barcelona, Spain. A collaboration between Santasusagna and poet Raūl Garcia Fernández produced a work called “Girl in a Cafe” in 2014. From a illustration just drawn by Oscar Santasusagna, Fernández wrote a poem that supported the drawing.

For Raúl Fernández’s new book entitled “Margarita Mustia”, a new collaboration project started with a poem by Fernández which then was illustrated by Santasusagna and is shown above, entitled “Un Poeta a la Deriva”.

“He navegado sobre las olas de lo obscuro

sobre la espuma de océanos sutiles

bajo el influjo de la luna en mares de palabras.

la luna ha izado olas de ensueños con sus pestañas

la espuma ha lubricado las letras con su tacto

las olas de noche han convocado a las musarañas.

He hundido mis rodillas en la nieve como un intruso

en lagos de nat monstruosos

en ánforas donde vibraba trémula la leche de la cabra.

la leche suavizó la tinta que no encontró la rima

los lagos se arremolinaron apagando cacofonias

la nieve arrolló tachones con avalanchas de virutas.

He despertado a la luz del día como si fuera un niño

al calor del alba como se abren los pétalos

y se curvan las ramas al arrullo de la aurora.

la aurora me consultó lánguida sobre el brillo de las estrellas

el alba quiso refrescarse entre las mareas nocturnas

la luz del día me sorprendió

rayando sus versos sobre el papel.” – Raūl Garcia Fernández

 

Spencer Douglass Crockwell

Artwork by Spencer Douglass Crockwell

Spencer Douglass Crockwell was born in Columbus, Ohio, on April 29, 1904. His family was a comfortable middle-class household: his mother the daughter of an attorney and his father a mining engineer. At the age of three, his family relocated to Saint Louis, Missouri, where he attended elementary school and then Washington University, studying business. As an undergraduate, Crockwell also took courses at the St. Louis School of Fine Arts, which ultimately prompted him to change his studies. 

Crockwell graduated with a business degree from Washington University in 1926; but he continued his studies at the School of Fine Arts until 1929. The next year, he relocated to Chicago to continue his studies at the American Academy of Art. Receiving a Traveling Fellowship, Crockwell studied in Europe in 1930 and 1931. He moved to Glens Falls, New York, in 1932, marrying Margaret Braman and raising a family in the town he considered his home for life. 

During the Depression years, Spencer Crockwell created three federally commissioned murals for the Works Progress Administration (WPA),.In 1937 he completed an oil on canvas mural entitled “Vermont Industries” for the White River Junction post office in Vermont. Crockwell painted another oil on canvas mural in 1938 entitled “Endicott: Excavating for the Ideal Factory” for the Endicott, New York post office.  His “Signing of the Treaty of Dancing Rabbit Creek” was completed in 1944 for the post office in Macon, Mississippi. 

The Finch Pruyn & Company,  the leading Glens Falls company in his home town, is the site for his 1934 “Paper Workers” mural. That same year Crockwell began experimenting in film making, initially creating low-cost flip-card animation films ween through a mutoscope. In the years 1936-1937, he created surrealistic films with his collaborator sculptor Dave Smith. 

The United States Brewers Foundation hired Crockwell in 1947 for its “Beer Belongs” campaign, whose goal was to make beer a part of a wholesome American lifestyle. The campaign ran for ten years producing 136 advertisements by various artists, roughly half which were done by Spencer Crockwell. Like Norman Rockwell during this period, Crockwell illustrated many cover illustrations for The Saturday Evening Post, sometimes just signing his work as Douglass. 

Spencer Crockwell was a founding trustee and the first director of The Hyde Collection, a respected art museum in Glens Falls, New York.. He received many awards, including the 1947 Art Directors Club of New York Gold Medal for best poster and the 1957 Los Angeles Art Directors Award for best painting. His paintings can be seen in many museums, public buildings, and in the permanent collection of The Smithsonian. 

Ethan Murrow

 

Ethan Murrow received his B.A. in Studio Arts with a focus on painting and printmaking from Carleton College in Minnesota. His Master of Fine Arts degree in drawing, painting and sculpture was awarded by the University of North Carolina in Chapel Hill. Murrow is currently living in Boston where he is a professor at the School of the Museum of Fine Arts at Tufts University.

Ethan Murrow creates large-scale graphite drawings that are translated form film and photographic narratives. His rendered drawings focus on innovative and explorative characters attempting with confidence and passion to succeed in their endeavors, despite the unlikely outcomes. Murrow incorporates the art of perspective with great skill; his use of vantage points render the scenes real but intentionally absurd. 

Murrow’s drawings are dependent on still captured photographic images. They resemble the look and feel of early cinema and black and white photography due to their grainy surface appearance and use of gray scale tones. The process of drawing is extensive, The sense of depth is developed by complex layering and mark-making, filling large areas of space on the drawing surface, sometimes measuring up to fourteen feet wide.

Ethan Murrow’s series “Zero Sum” consists of a body of work centered around the same single figure shown in different positions as the figure hurtles upward or falls downward through the air. The heavily bandaged figure appears poised in the air, contorted but floating peacefully. A combination of both awkwardness and beauty is achieved in this series.

Drawing inspiration from contemporary literature and historical articles of Victorian-era exploration and voyages, Murrow plays with these romanticized stories that hid the grim realities and human mistakes, by depicting a new set of explorers who are foolhardy and quite apt to fail. His “Narwhal Hoax” series shows pseudo-scientists faking their expeditions; his “Doomed Explorer” series show explorers on oddball quests who never show any doubt of success. 

Ethan Murrow’s work is represented by Obsolete Gallery, in Venice Beach, California; Winston Winston Wächter Fine Art, in New York City and Seattle; and La Galerie Particulière, in Paris. His work in in collections worldwide, including the Guggenheim Foundation. 

 

Nick Robles

Nick Robles is a self-taught freelance graphic artist from southern Louisiana. His main medium is digital art; however, he has also created artwork in the fields of sculpture and oil painting. Robles acknowledges many and varied influences on his artwork, from illustrators J. C. Leyendecker and Norman Rockwell to comic artist Mike Mignola and Pre-Raphaelite artist J. W. Waterhouse.

In 2014 Nick Robles started working with BOOM! Studios producing illustrations and cover art for their publications, including the 2014 “Clockwork Angels”, the covers of “Kong of Skull Island”, and work on the 2015 “Maze Runner: The Scorch Trials”. He worked with ECW Press, a Toronto-based independent book publisher, in 2015 on Kevin Anderson’s graphic novel “Clockwork Lives”. Robles also did artwork for both Black Crown Publishing and Dark Horse Comics. He is currently working with both Necromancer Press and Vault Comics.

Nick Robles is the co-creator along with author Tini Howard of Black Crown Publishing’s new graphic series “Euthanauts”, a sci-fi graphic adventure into the frontier of death. Robles created memorable characters with crisp details using a palette of warm and cool colors to indicate the living and the dead. His art on this series presents an atmosphere that is both modern and dark, with experiments in panel layouts and the design of the page. There are currently five issues in the series availabe from Black Crown Publishing.

The images above are Nick Robles’s work for the Marvel X-Men series, illustrating the character of Kurt Wagner, known as the Nightcrawler, a superhuman agile mutant with the ability to teleport.

 

 

Hideo Takeda

Hideo Takeda, , “Yoshisune, Escape from Kyoto”, Date Unknown, Silkscreen, The Genpei War Series “Battle of the Genji and the Heike”, Edition of 185

Hideo Takeda was born in Osaka, Japan in 1948. He attended Tokyo’s Tama Fine Arts University, graduating in 1973 with an Master of Arts in Sculpture. Inspired by American-style cartoons and illustrations, he decided to become a cartoonist. His graduation submission for Tama Fine Arts University was a self-published book entitled “Madam Chen’s Chinese Restaurant” which consisted of one-panel cartoons. In his later years, he continued publishing one-panel collections including the 1976 “Opera Glass”, the 1986 “Sketchbook of 100 Kinds of Professions”, and the 1987 “The Poisons”.

At the age of twenty-seven, after giving several one-man shows of his work, Takeda won the Bungeishunju Manga-sho Award for his portfolio “Monmon”, a collection of eleven silkscreens focusing on the art of tattoos. In 1985, one of his best known silkscreens, “The Mark of the Fan”, showing an ancient warrior riding a horse through blue waves, appeared on the cover of art historian Lawrence Smith’s “Contemporary Japanese Prints: Symbols of a Society in Transition”. This print was one of Takeda’s Gempie series which marked the 800th anniversary of the Battle of Dan-no-Ura, the climax of the civil war between the Taira and Minamoto families.

In 1993 at the British Museum, Hideo Takeda had the first one-man show dedicated to the Japanese art of manga, entitled “Takeda Hideo and the Japanese Cartoon Tradition”. Manga, developed in Japan in the late 18th century, are graphic novels of illustrative panels presenting a broad range of genres from comedy and historical to horror and erotica. Takeda’s most recent works are a series of drawings and books titled “World Night Tours”, published in 2012.

 

 

Jean Giraud

Jean-Giraud, “The Eyes of the Cat”

Jean Giraud, known as Moebius, was a French artist, writer, and cartoonist who worked in the Franco-Belgian “Bandes Dessinees” tradition. These “drawn or strip stories” have been a long tradition in Belgium and France, becoming a major style on the comic scene starting in 1945. This style contains such comics as Herge’s “The Adventures of Tintin”, Goscinny and Uderzo’s “Asteix”, and Peyo’s “The Smurfs”.

Jean Giraud’s most famous works include the “Blueberry” series with writer Jean-Michel Charlier, featuring one of the first anti-heroes in Western comics. Under the name of Moebius, he created surreal, almost abstract style, fantasy and sci-fi comics, including the collection of short graphic stories entitled “Arzach” about a silent warrior who rides a pterodactyl creature. As Moebius, Giraud contributed concept designs and storyboards for the films “Alien”, “Tron”, “The Fifth Element”, and “The Abyss”. His designs for the Nostromo crew attire, and particulary the spacesuits, in Ridley Scott’s “Alien” were adopted by Scott and appeared onscreen as designed.

“The Eyes of the Cat” was Jean Giraud’s first collaboration with the filmmaker Alejandro Jodorowsky, who would become a close friend and co-author. The portfolio-sized, 56-plate book was actually never meant for widespread distribution. Rather, it was printed in a tiny quantity, as a bonus gift for friends and clients of French comic publishers Les Humanoides Associes  as a kind of internal thank you note. A very limited edition, the supply of the book was depleted before the demand for it was satisfied.

In the story, a cat is attacked by an eagle as it wanders through a decaying city in the future. Each of the twelve by sixteen inch black and white plates is detailed and gritty. The narrative of the story is text-free, full of violence and chaos. This was influenced by Alejandro Jodorowsky’s association with the Panic Movement, a surrealistic group which he founded in 1962. The group concentrated on chaotic and surreal performance art, staging violent events designed to be shocking in a response to the mainstream acceptance of surrealism.

Images reblogged with thanks to https://thefugitivesaint.tumblr.com

Edward Julius Detmold

Wasps by Edward Julius Detmold

Edward Julius Detmold, “Common Wasps”, From “Fabre’s Book of Insects”, 1935, Tudor Publishing Company

Painter, printmaker and illustrator Edward Julius Detmold was born in London in 1883 along with his twin brother Charles Maurice Detmold. Provided patronage by their uncle Edward Shuldhan, the two brothers studied painting and printmaking under the tutelage of their uncle Henry Detmold, also an artist. In 1898, at the age of 13, the twins exhibited watercolors at the Royal Academy, and issued a portfolio of color etchings that same year that quickly sold out and brought them notoriety. In 1899 Edward and Charles began illustrating books jointly, begining with “Pictures from Birdland”, which was commissioned and published by J.M. Dent. This was followed by a portfolio of watercolors inspired by Kipling’s “The Jungle Book”.

The brothers’ tandem success, however, was ended with the sudden death by suicide of Charles in 1908. Edward Detmold threw himself into his work, beginning with an illustrated ” Aesop’s Fables” that included 23 color plates and numerous pen and ink drawings. This began a decade of intense productivity, in which the Detmold’s execptional eye for the detail and complexities of nature allowed him to achieve his place among the best illustrators of the Victorian era.

Edward Detmold continued to illustrate numerous books, including Maurice Maeterlinck’s “The Life of the Bee”, Camille Lemonnier’s “Birds and Beasts”, his own “Twenty Four Nature Pieces”, and Jean-Henri Fabre’s “Book of Insects”. However by 1921, after witnessing the horrific results of World War I and feeling a disillusionment with his own art, he had reached the end of his zenith. Though Edward Detmold went on to illustrate one last edition of “The Arabian Nights” in 1924, he had effectively ended his career with the publishing of a literary book of aphorisms entitled “Life”. He retired to Montgomeryshire, England, and died in 1957, also from suicide.

Samurai Champloo

“Samurai Champloo” is a Japanese anime series developed by the Japanese animation and production company Manglobe. The production team was lead by director Shinichiro Watanabe, character designer Kazuto Nakazawa and mechanical designer Mahiro Maeda. This series was Watanabe’s first directorial effort for an anime television series after his critically acclaimed “Cowboy Bebop”.  “Samurai Champloo” ran for twenty-six episodes from May of 2004 until March of 2005.

The series blended historical Edo-period backdrops with modern styles and references. The show dealt with the Shimabara Rebellion in Edo-era Japan, the restriction of Japanese foreign relations exclusive of the Netherlands, the art of ukiyo-e painting, and fictionalized appearances of real-life Edo-era personalities. Artistic license trumped accuracy and the music score used contemporary music.

Ron Monsma

“Still Life with Green Cup”, Date Unknown, Pastel on Paper

Ron Monsma received his BA in Fine Arts at Indiana University South Bend and has been an instructor of drawing and painting at Indiana University since 1997. His work has been recognized with numerous awards and is represented in many private and corporate collections across the United States. 

Rachel Newling

Rachel Newling, “Green Tree Python”, Date Unknown, Hand-Colored Linocut on Handmade Japanese Paper, 76 x 50 cm.

Rachel Newland is an established Australian artist, specializing in hand colored and reduction linocuts, mixed media engravings and drawings. Prints are available at her site: https://www.rachelnewling.com

Reblogged with thanks to https://crofs.tumblr.com

Carl Phillips

Chet Phillips, “Austin Bats”

Chet Phillips, living and working in Austin, Texas, began his career as a freelance illustrator in the early 1980’s. He has created work for advertising agencies, design firms, book, newspaper and magazine publishers and corporations. Trained in traditional media with a Bachelor of Fine Arts in Painting and Drawing, Phillips made the transition to digital media in 1992.